Category: Offers and Events

We are very excited to feature this months Minnesota Clarinetist Karrin Meffert-Nelson!

Karrin Meffert-Nelson, DMA, teaches clarinet, conducts the Gustavus Chamber Winds, and teaches courses in Music Education and Music History.

Dr. Meffert-Nelson maintains an active performing career as Principal Clarinetist with the Minnesota Opera Orchestra and through freelance work with Minnesota Orchestra, St. Paul Chamber Orchestra, Northrop Ballet Orchestra, and with productions at the State and Orpheum Theaters.  She has also performed with the St. Louis Symphony, Milwaukee Symphony, and the Chamber Music Society of Minnesota.  As a clinician, Meffert-Nelson frequently appears as an adjudicator for area solo and ensemble contests and works with the woodwind sections of the Greater Twin Cities Youth Symphonies.

In addition to her DMA degree in Clarinet Performance from the University of Minnesota, Dr. Meffert-Nelson holds the MM degree in Clarinet Performance from Northwestern University in Evantston, IL and the BM degree in Clarinet Performance and Music Education from St. Olaf College in Northfield, MN.  Prior to her appointment at Gustavus Adolphus College, Meffert-Nelson taught clarinet and chamber music at the University of Minnesota.

INTERVIEW WITH KARRIN MEFFERT-NELSON

Learn more about Karrin's clarinet beginnings along with his current approach to life during COVID-19 during an interview with clarinet specialists Tori Okwabi and Amelia Smith.

SOLO PERFORMANCE

Here Karrin play Béla Kovács: Hommage à Béla Bártok

Stay tuned for our next featured Minnesota Artist in December 2020!

We are very excited to feature this months Minnesota Clarinetist Sang Yoon Kim!

South Korean clarinetist Sang Yoon Kim is the first prize winner of several international competitions, including the 67th Prague Spring International Music Competition in 2015, the UNISA International Flute and Clarinet Competition in 2014, and the Jacques Lancelot International Clarinet Competition in 2012. He is also a past laureate of the International Clarinet Competition in Ghent.

Sang Yoon Kim is a sought-after chamber musician, working with leading international artists, among them Swedish clarinetist Martin Fröst at the Stavanger International Chamber Music Festival, the celebrated French string quartet Quatuor Ebene, pianists Jean-Yves Thibaudet and Robert Levin. Kim also made his debut at the Ravinia Festival with the Calidore String Quartet in 2013.

As a passionate orchestra player, he has played as the guest principal clarinet of The Cleveland Orchestra and the London Philharmonic, with Vladimir Jurowski, Christoph Eschenbach, Franz-Welser Most and Jaap Van Zweden. He made his debut at the Prague Spring International Festival in 2016 as a soloist with the BBC Symphony Orchestra under the baton of their Music Director, Sakari Oramo.

A graduate of the Conservatoire de Paris, where he was accepted as the first Korean clarinetist in the school's history, he studied with distinguished professors Michel Arrignon and Pascal Moragues. After Paris he went on to study in Los Angeles at the Colburn Conservatory of Music, gaining an artist diploma under Yehuda Gilad in 2014. He served as Young Artist in Residence with Classical Minnesota Public Radio in 2013.

Sang Yoon Kim is a Buffet Crampon and Silverstein ligature artist.

INTERVIEW WITH SANG YOON KIM

Learn more about Sang Yoon's clarinet beginnings along with his current approach to life during COVID-19 during an interview with clarinet specialists Tori Okwabi and Amelia Smith.

SOLO PERFORMANCE

Here Sang Yoon play Béla Kovács: Hommage à Z. Kodály

CONTEST: Duet Play-Along

Want to challenge your playing and win gift certificates or prizes?

Download music here

Kegelduett No. 2 for 2 Bb Clarinets by Wolfgang Mozart

Play 2nd part and all repeats

Quarter note = 146

Contest Rules/Tips:

1. Contestants must post their video to the comment section of MMI's Facebook post for the featured artist or simply on MMI's Instagram page #midwestmusicalimports

2. Download the music, use headphones to listen to the 1st clarinet part as you record yours (and to help minimize background noise).

3. Record in good lighting  and with your device in vertical view. This allows us to easily put the duet together and repost for you.

4. If possible, stay at least a foot away from the recording device to prevent overpowering the audio input.

5. Deadline is October 31, 2020 - good luck and have fun!

Stay tuned for our next featured Minnesota Artist in November 2020!

We are very excited to feature this months Minnesota Clarinetist Gabriel Campos-Zamora!

Gabriel Campos Zamora, a native of San José, Costa Rica was appointed principal clarinet of the Minnesota Orchestra in June 2016. Campos was most recently the associate principal clarinet of the Kansas City Symphony and has appeared as guest principal clarinet with the Cleveland Orchestra, Seattle and Houston Symphonies in addition to serving as the Virginia Symphony's principal clarinet.

Campos has been a participant at the Marlboro Music Festival and frequently performed in the Kansas City Symphony "Happy Hour" chamber music concerts. He was a fellow of Ensemble ACJW, a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education. A laureate of several competitions, he received first prize at the 2008 Pasadena Showcase House Instrumental Competition, in addition to winning concerto competitions at the 2009 Aspen Music Festival, 2010 Music Academy of the West, and 2011 National Repertory Orchestra.

Campos began his musical training at the Instituto Nacional de Musica as a student of Jose Manuel "cheche" Ugalde. He then came to the United States to study at the Interlochen Arts Academy with Nathan Williams and later received his bachelor's degree in music from the Colburn Conservatory in Los Angeles, where he studied with renowned professor Yehuda Gilad. He has been a participant of the Aspen, Music Academy of the West, National Repertory Orchestra, Spoleto and the Tanglewood Music Center festivals.

INTERVIEW WITH GABRIEL CAMPOS-ZAMORA

Learn more about Gabi's clarinet beginnings along with his current approach to life during COVID-19 during an interview with clarinet specialists Tori Okwabi and Amelia Smith.

SOLO PERFORMANCE

Here Gabi play Dos melodias para Clarinete Solo, No. 2 by Vinicio Meza.

CONTEST: Duet Play-Along

Want to challenge your playing and win gift certificates or prizes?

Download music here

Theme from Tchaikovsky's Symphony No. 6 2nd Movement - 8notes.com

Play 2nd part

Quarter note = 146

Contest Rules/Tips:

1. Contestants must post their video to the comment section of MMI's Facebook post for the featured artist or simply on MMI's Instagram page #midwestmusicalimports

2. Download the music, use headphones to listen to the 1st clarinet part as you record yours (and to help minimize background noise).

3. Record in good lighting  and with your device in vertical view. This allows us to easily put the duet together and repost for you.

4. If possible, stay at least a foot away from the recording device to prevent overpowering the audio input.

5. Deadline is September 30, 2020 - good luck and have fun!

Stay tuned for our next featured Minnesota Artist in October 2020!

We are very excited to feature this months Minnesota Clarinetist Jennifer Gerth!

Jennifer is in her 21st season as principal clarinet of the Duluth-Superior Symphony Orchestra. A substitute with the Minnesota Orchestra since 1995, she has performed with the Saint Paul Chamber Orchestra, the Minnesota Opera, VocalEssence, and in orchestras for touring Broadway shows, and ballet companies. Jennifer has a BA degree from St. Olaf College in music and mathematics, an MM degree from Northwestern University in Evanston, IL, and was a DMA candidate at the University of Minnesota (1992-1995), studying with Burt Hara. During her DMA she was a Concerto Competition winner, performing the Debussy Rhapsody with the University of Minnesota Orchestra. In 1999 she was a founding member of the Prospect Park Players, a chamber music group that was active in the Twin Cities for seven years. Jennifer continues her love for chamber music playing at the Festival of the Lakes chamber music festival in Alexandria, MN. With 27 years of collegiate teaching experience, Jennifer has taught at St. Olaf College, St. Cloud State University and College of St. Benedict. She currently teaches at the University of Minnesota, the University of St. Thomas and maintains a private studio.

INTERVIEW WITH JENNIFER GERTH

Learn more about Jen and her approach to teaching and life during COVID-19 during an interview with clarinet specialists Tori Okwabi and Amelia Smith.

SOLO PERFORMANCE

Here Jen play Mvt. 1 of Miklós Rózsa's Sonatina for Solo Clarinet here. 

CONTEST: Duet Play-Along

Want to challenge your playing and win gift certificates or prizes?

Download music here

Selected Duets, Vol. 2 by Rubank/H. Voxman

Duet No. 3 - Ludwig Beethoven

Play 2nd part, starting on page 65, ms. 2 (a tempo)

Quarter note = 126

Contest Rules/Tips:

1. Contestants must post their video to MMI's Facebook or Instagram page #midwestmusicalimports

2. Download the music, use headphones to listen to Jen's part as you record yours (and to help minimize background noise)

3. Record in good lighting - not too dark!

4. If possible, stay at least a foot away from the recording device to prevent overpowering the audio input.

5. Deadline is August 9, 2020 - good luck and have fun!

Stay tuned for our next featured Minnesota Artist at the end of August 2020!

Get up to $500 off your R13 Bb or A clarinet purchase now through December 15, 2020.  With Buffet's $250 discount and MMI's spectacular offers you can get up to $500 off! All clarinets are professionally setup at NO ADDITIONAL CHARGE to our clients. Learn more about our setup here.

Check out MMI's July newsletter to learn more about summer deals, upcoming virtual events and more!

Midwest Musical Imports is very excited to introduce our new partnership with F. Arthur Uebel Clarinets and Moe-Bleichner Distribution!

Ricardo Morales - Principal Clarinet of The Philadelphia Orchestra is now an Uebel artist. Come learn and try for yourself why Morales made the switch to these amazing clarinets!

Event details:

Saturday, October 5, 2019 1:30pm-4:00pm at Midwest Musical Imports

The event will start at 1:30pm with an introduction of the clarinets by an Uebel representative.

The remainder of the event will be an open house with the chance to:

• Meet and greet with Uebel representatives
• Learn more about the history and unique details of their production process
• Trial several Uebel clarinet models

To learn more exclusive details about the clarinets, listen to the Clarineat Podcast with Sean Perrin and CEO Victoria Moe and instrument maker Andreas Moe.

https://www.youtube.com/watch?v=TME-bifXgDg

History of Uebel Clarinets: The company was founded in 1936, but within the past 10-15 yrs the clarinets have been reinvented with modern improvements.

Wood Selection: Wood is hand-selected, aged for 5-7 years and another 2+ years after the bore is drilled. Other manufactures now kiln dry their wood, taking it only 5 weeks from tree to completed clarinet. The Uebel clarinets have lesser chance of cracking due to their selection and aging process.

Selection process includes looking for wood density, where the wood comes from and if the drying process is slow enough. Each joint of the clarinet is matched in wood density, weight and grain direction. These factors contribute to an even tone throughout each register.

Durability: The wood of every Uebel clarinet is hand-selected and includes multiple layers of silver plating on the keys which results in a very durable clarinet inside and out.

Clarinet bore: As with most German clarinets the bore is larger than French clarinets. This provides a thicker wall and in turn has a larger, darker sound. The modern Uebel clarinets have a hybrid bore that is smaller than a traditional German bore, but appeals to those most familiar with a French bore system.

Ergonomics: Due to the larger bore, the tone hole placements are also different from French clarinets. The feedback has been that the reach, particularly in the pinky keys, is easier. Those with smaller hands or younger students have an easier time getting around the clarinet; especially on their very popular bass clarinet!